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The
Murals of Diego Rivera.
Journeyman Press London UK 1987.
Drawing on contemporary Mexican archives
and outstanding photographs, the book The Murals of
Diego Rivera presents a portrait of Mexico, and visual
record of the works of one of the 20th century's most
controversial artists. Every attempt has been made
to accurate reproduce the detail and breadth of the
colour Rivera used, and wherever possible retaining
the scale and architectural context within which he
painted.
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Mexican
Muralists: Orozco, Rivera, Siqueiros.
Chronicle Books . San Francisco (paperback edition)
Born in the twenties' explosive revolutionary
energy and culminating in the social consciousness of
the sixties, the Mexican Mural movement represents one
of the most powerful and significant achievements in
public art during the twentieth century. This book follows
the careers of the three most prominent artists of the
movement José Orozco, Diego Rivera and David
Alfaro Siqueiros. This book traces the lives and murals
of these three legendary artists from their early childhoods,
through the bloody years of the Mexican revolution to
the years of their artistic maturity.
With stunning colour reproductions of
all the major murals, both those in Mexico and in the
United States (where all three artists worked in the
1930's), the book locates the murals in their cultural
background and explores the artists' achievements within
the political framework of Mexican history and politics.
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LINES
OF SITE: Ideas forms and Materiality .
University Alberta Press.
Over a period of more than twenty five
years the print making division of the Department of
Art and Design at the University of Alberta has become
recognized internationally as a centre of printmaking.
The exhibition Lines of Site: Ideas, Forms and Materialities
, which was exhibited in London and Tokyo, brought together
the best examples over those twenty five years of the
work of the graduates from this departments renowned
graduate program. This catalogue to the exhibition ,
which was curated by Desmond Rochfort contains a lead
essay by him entitled Printmaking, Technologies and
the Culture of the Reproducible Image.
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